All That Jazz & More – Chicago Dazzles in Belfast

As a local thespian and long-time lover of musical theatre, I’ve seen Chicago in many forms—on stage, on screen, and even in cabaret-style interpretations. But watching the UK touring production take over Belfast’s Grand Opera House was a whole new experience.

Chicago is a show that thrives on style, scandal, and show-stopping performances, and this production delivered it all with flair. With a cast boasting talent from stage and screen, including Janette Manrara as Roxie Hart, Djalenga Scott as Velma Kelly, Brenda Edwards as Mama Morton, and Kevin Clifton as Billy Flynn, this was a night of theatre that had the audience hooked from start to finish.

For those unfamiliar with Chicago beyond the 2002 Oscar-winning film starring Renée Zellweger and Catherine Zeta-Jones, the story follows two rival vaudeville performers, Roxie and Velma, who find themselves on trial for murder in 1920s Chicago. Their only way out? Turn their crimes into a media sensation with the help of slick lawyer Billy Flynn, all while navigating a justice system where fame is the ultimate currency.

One of the most striking aspects of Chicago—on stage or screen—is its signature Bob Fosse-inspired choreography. That instantly recognisable style, full of precise isolations, sultry movements, and sharp execution, was in full force here. The ensemble, clad in black, oozed sensuality and control, making each dance number a visual spectacle. Whether it was the iconic "Cell Block Tango" with its fiery monologues or the perfectly synchronised "We Both Reached for the Gun," the movement felt both timeless and fresh.

The staging of this production stays true to its Broadway and West End roots, with the band positioned centre stage, acting as both the heartbeat of the show and a key visual element. Unlike traditional musicals where the orchestra is tucked away, Chicago revels in its musicians being part of the action, bringing an extra level of intimacy and authenticity to the performance.

As for the cast, each performer brought something unique to their role.

Janette Manrara struts into the role of Roxie Hart, I have had the pleasure of interviewing Janette and I must say she is so lovely, I was so excited when I heard she was joining the cast, the general public will know her for Strictly Come Dancing, Manrara brought an unexpected playfulness to Roxie. I cannot fault her vocals, where they as powerful as other Roxie's, no though she never sounded strained nor did she shy away from the challenge. She exuded charm, wit, and, unsurprisingly, impeccable dance skills. Her performance of "Roxie" had just the right amount of narcissism and desperation, capturing the essence of a woman willing to do whatever it takes to be famous.

Djalenga Scott as Velma Kelly was magnetic, she delivered a performance that balanced sharp comedy with an undeniable air of confidence. Her voice soared in "All That Jazz," and her chemistry with Manrara made for a compelling rivalry. Her performance was reminiscent of Zeta-Jones’ Oscar-winning portrayal in the film but with a rawer, more grounded energy.

Brenda Edwards as returns as Mama Morton, almost 20 years ago in 2006 Brenda made her west end debut in the role and all these years later she still commands every scene she was in. "When You’re Good to Mama" was a vocal masterclass, and her presence exuded the kind of authority that made you believe Mama Morton truly ran the show behind bars. Having seen her in previous roles, it’s clear she was born to play this part.

Kevin Clifton, another Strictly Alum was the perfect Billy Flynn, he proved he could do more than just dance. His Billy was smooth, charming, and just the right level of sleazy. "All I Care About" was delivered with theatrical flair, and he had the audience eating out of the palm of his hand in "Razzle Dazzle."

What makes Chicago such an enduring piece of musical theatre is its ability to critique the justice system, media sensationalism, and celebrity culture, all while making us tap our feet and laugh at the absurdity of it all. This production embraced that spirit, ensuring the audience was as complicit in the spectacle as the characters themselves.

For anyone in Belfast who hasn’t yet seen Chicago, this is your chance to witness a world-class production before it leaves town on Saturday, March 22, 2025. Whether you’re a die-hard musical theatre fan or someone who fell in love with the film first, this show delivers on all fronts. Don’t miss it! You can get tickets by visiting goh.co.uk