Les Misérables: Let the People Sing! - A Historic Premiere at the Grand Opera House!

Last night marked a momentous occasion for Belfast as the curtain rose on the highly anticipated amateur premiere of Les Misérables: Let the People Sing! This extraordinary collaboration between Belfast Operatic Company, St. Agnes’ Choral Society, Ulster Operatic Company, and The Grand Opera House Trust not only celebrates the 40th anniversary of this iconic musical but also shines a spotlight on the vibrant local theatre community.

With the blessing of Cameron Mackintosh and Music Theatre International, Belfast proudly claims the distinction of presenting the first of eleven amateur premieres across the UK. This is a rare opportunity, as Les Misérables has seldom graced the stages of amateur groups while captivating audiences nightly in London’s West End. The excitement in the air was palpable, and it was clear that this production was something truly special.

As the fastest-selling amateur production in the Grand Opera House’s history, the show showcased an impressive array of home-grown talent from Northern Ireland. Gary Redpath, of Belfast Operatic Company, expressed the honor of being part of such a momentous performance, a testament to the skill and dedication within Belfast’s theatre community. His words echoed through the hearts of the audience, creating a sense of unity and pride.

Ian Wilson, Chief Executive of The Grand Opera House, perfectly encapsulated the spirit of the night when he declared it an “extraordinary moment for musical theatre and amateur productions in Northern Ireland.” The Grand Opera House has truly become a beacon of creativity and a launching pad for local talents to shine on a stage known for its illustrious history.

The cast of Les Misérables was nothing short of spectacular. David McCrossan as Jean Valjean and Boyd Rodgers as Javert delivered performances worthy of the West End, both showcasing powerful theatrical vocals that resonated throughout the venue. Aodhàn Halfpenny truly brought the house down with his poignant rendition of “Empty Chairs at Empty Tables,” leaving the audience in rapt silence before erupting into applause.

The enchanting Lauren McCann breathed life into the character of Cosette, effortlessly capturing the essence of youthful love alongside the heartfelt performance of Aodhàn Halfpenny as Marius. Caroline McMichael returned triumphantly to The Grand Opera House stage, earning her place as a local theatre gem with a breathtaking "On My Own" performance that could hold its own to the original Eponine, Frances Ruffelle.

Adding a delightful Belfast twist, Desmond Havlin and Jordan Arnold brilliantly portrayed the Thenardiers, providing comedic relief that freshened the emotional landscape of the production. Their infectious camaraderie reminded us of the joy that theatre brings amid adversity.

Colin Scott’s musical direction was a triumph, showcasing the cast’s vocal power and harmonisation, creating an unforgettable musical experience. Every aspect of the show was executed precisely, from Kerry Rodgers’ astute direction to the stunning visual elements that Aidan Payne and Alister Kerr cultivated in staging and lighting. Hats off to wardrobe mistress Emily Pentland—each costume complementing the story beautifully.

Les Misérables: Let the People Sing! is more than just a production; it’s a celebration of passion, talent, and community spirit. It encapsulates the very essence of what makes theatre so powerful and enduring. As the closing number resounded through the Grand Opera House, one could feel a collective hope amongst the audience—a powerful reminder that there is always a reason to sing in the face of struggle. Don’t miss this historic performance; it is an experience that will uplift your spirit and stay with you long after the final curtain falls!

Les Misérables: Let the People Sing runs at the Grand Opera House to Saturday 8 March 2025, for more information visit www.goh.co.uk